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With some products, the settings can be controlled in the graphic software during output. For example, users can dictate their desired angle and have the setting hard-coded into the software. User friendliness has become a focus, especially in terms of being able to select default settings. For example, you could choose from one to eight, depending on how many ink channels you have,” he says. “Most of the RIP software gives you the ability to choose exactly how many channels of ink you can pull black from. This improves the quality,” Bagley says.Īnother fairly recent development is the ability to use black ink in multiple cartridges on certain printers, resulting in higher quality films and faster output. By using the FM screening, it gives the user control over what dot they’re using, depending on which screen mesh they have, and be able to get rid of some of those standard rosette patterns that you’ll see. In the screen print world we’re trying to get them closer to a similar type of output. They’re going directly on the shirt, and it doesn’t have to sit on the emulsion that’s on the fibers of the screen, so they’re able to fire smaller dots. “The reason this came about is because of the direct-to-garment (DTG) side of things, and they’re able to print smaller dots. On such advancement is the ability to use the software to choose the size of ink dot that the printer lies down on the film. In terms of recent incarnations of the technology, he says that many of the advancements have arisen in an attempt to achieve results similar to direct-to-digital printing. (Inkjet printers are designed to print everything in color and absent a RIP, it would likely attempt to print the halftone as a shade of gray.) It has allowed screen printers to move away from expensive image setters and gives them ability to print high-quality films using affordable inkjet printers, rather than pricey laser printers.īagley has been closely involved with the development of RIP software over the years. An acronym for Raster Image Processor, the software takes files from graphic programs by running them through Postscript and converting them to halftone dots that can be recognized by an inkjet printer, while also allowing the user to dictate the number of passes the jets will make. RIP software is a critical tool towards achieving that capability using affordable inkjet printers.įor those unfamiliar with RIP technology, its function as commonly used in the screen printing industry is fairly basic. When they visit their local screen printer, they’re expecting similar quality and price points. With the rise of the digital age, artists and consumers have become aware of the options available online for customized, limited run products that feature multiple colors and even photo reproduction. After that, they start to look into RIP software,” he says.Ī generation ago, a small mom-and-pop shop could get by simply offering simple one- or two-color prints. New screen printers may still limit themselves to printing one or two colors, but in time it will make it tougher to survive. “The screen printers who are have been in business for more than a couple of years are being forced to bring on more technology that will allow them to compete with direct-to-digital market. As an example of this, Mark Bagley-a consultant and owner of Digital Marketing Solutions in Orlando, FL- believes that RIP software is currently in that life cycle stage where screen printers need to have it simply to exist. Over time, as the technology becomes increasingly accepted in the industry, the competitive advantage largely disappears and new users must adopt it simply to keep pace. They invest their time and money in hopes of leveraging it to improve productivity and gain a competitive advantage. When a new technology is introduced into an industry, there is usually a small band of innovators who hop on board first.